ko ko thett

FOO FOO THETT's PAGE ON AN INTERNET DATING SITE       [SOUR DRY BITTER BOOKS, YANGON, 2016]


  
33 pages, 16 poems [in Burmese], Cover and frontispiece by Fi Jae Lee 
 
This chapbook of performance poems, launched at the Monsoon Poetry Festival in Yangon on 23 July, 2016, mainly explores gender binary and its fluidity in the backdrop of uncertainties and anxieties of political and economic transitions in Myanmar. 
 

the burden of being Burmese [Zephyr, HONG KONG & US, 2015]

 

 

''The Burden of Being Burmese'' displays an extraordinary fertile and febrile imagination—one that will both delight and disturb American readers."—Marjorie Perloff

"A brilliantly off-kilter book."—John Ashbery

 

''Burmese idioms and images abound throughout the poems ...'' —Anna Allott 

 

Filled with cutting statements critiquing colonization, his country, and himself, these poems reflect on the expat’s identity as a poet and Burmese man. Frequently used but tweaked idioms and expressions suit both poetic purposes and the humorous yet acerbic communication of Thett’s message as he explains the burden of his title. Such burdens extend past the borders of the country to problems that everyone must face in an increasingly industrialized world.                                       [World Literature Today]

 

 

BONES WILL CROW: 15 CONTEMPORARY BURMESE POETS [ARC, UK 2012 & NORTHERN ILLINOIS UNIVERSITY PRESS, 2013 ]

Bones will Crow: 15 Contemporary Burmese Poets, edited and translated by ko ko thett and James Byrneis the first bilingual anthology of contemporary Burmese poets published in the West, and includes the work of Burmese poets who have been in exile and in prison. The poems include global references from a culture in which foreign books and the internet are regarded with suspicion and where censorship is an industry. The poets have been ingenious in their use of metaphor to escape surveillance and censorship, writing post-modern, avant-garde, performance and online poetries.  The anthology reveals the transition of traditional to modernist poetry, the development of Burmese poetry over the second half of the 20th century, as Burma has changed. Through their wildly diverse styles, these poems delight in the freedom to experiment with poetic tradition. 

The anthology is the winner of English PEN Writers in Translation Programme Award-2012, on the list of '75 Notable Translations for 2012' by World Literature Today and one of the '10 books that chart the country's tumultuous history' by Rory MacLean in the Guardian.